Game Review: Band Frontman Jason Williamson Takes On Role in Critical Examination at 90s Rave Culture

Helmed by Bristol sound co-founder the musician-producer, this scabrous though undernourished first film casts a critical gaze on the ecstasy-fueled club scene. Self-serving pillhead David (Marc Bessant) initially steals from an unconscious dealer, then in a later recollection tries to break into his own parents. Before you can say, he's overturned in the remains of his car in a woodland – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for townies, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Grimly Amusing Confrontation

The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to extricate himself from his seatbelt, while awkwardly transitioning into past scenes of his normal activities. The bigger point – that the ecstasy generation were mainly focused on number one – is firmly made. But these vignettes are too thin to adequately prepare us for what to expect when the Poacher turns up, enraged after David strangles his dog. Nevertheless, a grimly amusing standoff unfolds – David eager to get away; the Woodsman denying his container of cider, determined to dousing him instead in resentful talk. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Music Video Vibe

There is only one important plot development, but it leads to a hilariously staged chaotic run on the woodland paths that dips close to folk horror. Director John Minton finally gets to go all in with his showy imagery: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now lets rip with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.

Game is in UK and Irish cinemas from November 17.

Michelle Foster
Michelle Foster

Elara Vance is a seasoned journalist with over a decade of experience covering UK politics and culture, known for her sharp analysis and engaging storytelling.